![]() ![]() “Love Song” and “Brave” went triple platinum. During those years, Bareilles was often compared with Taylor Swift, another singer-songwriter bringing a similar message to the mass market: that sensitive young women would no longer be suckers. You can turn a phrase into / a weapon or a drug.” You know you remember them.īut there was always another side to her. She will forever be the slightly angsty girl with the long brown hair hatching earworms from her piano: “I’m not gonna write you a love song / ’Cause you asked for it / ’Cause you need one.” And: “You can be amazing. For pop listeners now moving into their thirties, she’ll remain best known as the singer-songwriter of two monster hits, “Love Song,” from 2007, and “Brave,” from 2013. ![]() But, whether that comes to pass or not, Bareilles, who is forty-two, will doubtless stay an unusual sort of bisected celebrity. Listen to her delicate stop-and-start argument with herself in her apologia of the tryst, “Moments in the Woods.”Ī Tony nomination seems a strong possibility. You can pick her out among all the amazing singers-the slightly earthier mezzo-soprano timbre and the soaring notes when she opens things up, a bit of pop fizz seeping from under the cap. Her sound, in a cast gifted with extraordinary voices, is remarkable. I haven’t met anyone who doesn’t love Bareilles’s performance in “Into the Woods.” On the stage, in the show’s many ensemble numbers, Bareilles is like a human playfully hiding in a Disney World skit and, at the same time, a spritely presence peeking out in a game of guess-who’s-the-pop-star. She is the relatable focus of a show where every other character is a cultural icon. After her wishes come true, she finds life with a baker and an infant boring, and hooks up with a prince, then sings of her sort-of regret. She desperately wants a child, and once she has one, understandably, she wants a bigger house in which to raise him. She’s skeptical, hurt, and a bit bitter, like a character in a Paula Fox novel. In a musical that is mostly a dizzying roundelay of Grimms’ fairy tales-Jack climbs his beanstalk, and Little Red Riding Hood squares off against the Wolf-the Baker’s Wife stands out. It’s a role that’s passed like a crown from one talented actress to the next. She is currently starring in the revival of Stephen Sondheim’s “ Into the Woods.” In the musical, she plays the Baker’s Wife, a part that Joanna Gleason-who played the wife when the show débuted on Broadway, in 1987-first made famous, and that Imelda Staunton and Amy Adams later performed. Sara Bareilles has a talent for finding the human center of things.
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